Réflexions sur les jeux avec sucre en poudre, poivre en grain… et un peu de vitriol.
In this essay, we shall try to step back from a blinding cinema-centric approach in order to examine the impact such a framing has caused, to question its limitations, and to reflect on the interpretive communities that have relied on film (communities we are part of, due to our film
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Interactive cinema has left an impressive corpus seemingly forgotten. In this research, we call attention to the significant historical heritage of FMV (full-motion video) games. Beside its cinematographic appeal, we study its ergodic dimension, leading to our concepts of figures of interactivity and actional modalities.
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